The Mortal Instruments: City Of Bones

This YA fantasy is at its best during the gradual reveal of a Neil Gaiman-ish supernatural world (as seen from the POV of Lily Collins’ heroine Clary) and at its worst during Twilight-inspired adolescent eye-fluttering.

It’s a strong premise poorly executed, a promising introduction to a race of demon-hunting half-angels smothered by stacks of extraneous lore – vampires, werewolves and warlocks spin through in a blur.

Tighter editing might have streamlined the action at the expense of the romance, which doesn’t so much build as linger.


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